|本期目录/Table of Contents|

[1]罗怡然,王宏付.日本江户小纹图案造型特征探析[J].丝绸,2018,55(6):061303.[doi:10.3969/j.issn.1001-7003.2018.06.015]
 LUO Yiran,WANG Hongfu.Modeling Characteristics Analysis of Japanese Edo Komon Pattern[J].Journal of Silk,2018,55(6):061303.[doi:10.3969/j.issn.1001-7003.2018.06.015]
点击复制

日本江户小纹图案造型特征探析(PDF)
分享到:

《丝绸》[ISSN:1001-7003/CN:33-1122/TS]

卷:
55
期数:
2018年6期
页码:
061303
栏目:
历史与文化
出版日期:
2018-06-20

文章信息/Info

Title:
Modeling Characteristics Analysis of Japanese Edo Komon Pattern
文章编号:
1001-7003(2018)06-0091-10
作者:
罗怡然王宏付
江南大学 a.纺织服装学院;b.生态纺织教育部重点实验室,江苏 无锡 214000
Author(s):
LUO Yiran WANG Hongfu
 a. Textile and Garment Institute; b. Key Laboratory of Eco-textiles, Ministry of Education, Jiangnan University, Wuxi, 214122, China
关键词:
江户小纹型染图案分析造型特征审美情态
Keywords:
edo komon the type of dye pattern analysis modeling characteristics aesthetic modality
分类号:
TS941.11;J533.1(313)
doi:
10.3969/j.issn.1001-7003.2018.06.015
文献标志码:
B
摘要:
文章梳理了日本江户小纹的历史渊源和发展,对江户小纹图案进行分类整理。通过对其图案题材、造型审美、组合形式、常用色系等方面进行具体分析,将江户小纹中寓意性图案进行提取与整合。通过解读其文化语境,发现江户小纹的形成发展过程中,受政治历史背景影响,透露出深厚的文化审美形态和浓烈的日式风情,折射了江户时代含蓄中透有张扬的审美情趣。通过对江户小纹的深入发掘,提练出其形式规律、内蕴情感和审美情态,以期为当代设计提供灵感素材与人文情怀。
Abstract:
This paper combs the historical origins and development of Edo komon, and classifies the Edo komon. Through the concrete analysis of its pattern theme, modeling aesthetics, combination form and common color system, the patterns with implied meaning in Edo komon are extracted and integrated. Through the interpretation of its cultural context, it is found deep cultural aesthetic form and strong Japanese style are reflected in the formation and development process of Edo komon, due to the influence of the political and historical background, revealing implicit and swanking aesthetic taste in the Edo period. Through the deep excavation of Edo komon, the law form intrinsic emotion and aesthetic modality were extracted, with a view to provide inspiration material and humanistic feelings for contemporary design.

参考文献/References:

[1]崔岩, 刘元凤, 郑嵘. 日本传统染织艺术之旅:以东京、冲绳两地为例[J]. 艺术设计研究, 2016(4): 21-26.
CUI Yan, LIU Yuanfeng, ZHENG Rong. The traditional Japanese textile art journey: a case study of Tokyo and Okinawa [J]. Art & Design Research, 2016(4): 21-26.
[2]陈枫. 日本传统型染与中国蓝印花布制版工艺比较研究[J]. 装饰, 2017(7): 136-137.
CHEN Feng. A comparison of the stencil craft between Japan’s traditional katezome and China’s blue calico [J]. ZHUANGSHI, 2017(7): 136-137.
[3]JCRAFTS. EDOKOMON[EB/OL].[2017-08-05]http://www.jcrafts.com/eg/shop/.
[4]RANYIHUI. EDOKOMON [EB/OL]. [2017-04-05]. http://www.someichie.jp.
[5]周燕佩, 李广志. 日本和服纹样起源的探究[J]. 黑龙江教育学院学报, 2011,30(9): 128-131.
ZHOU Yanpei, LI Guangzhi. An exploration of the origins of Japanese Kimono patterns [J]. Journal of Heilongjiang College of Education, 2011,30(9): 128-131.
[6]廖文华, 王宏付. 日本絣织及其代表性纹样特征探究[J]. 丝绸, 2017,54(1): 56-63.
LIAO Wenhua, WANG Hongfu. Discussion on Kasuri pattern in Japan and features of its representative patterns [J]. Journal of Silk, 2017 ,54(1): 56-63.
[7]包铭新. 中国的传统染织纹样及其对日本染织纹样的影响[J].中国纺织大学学报, 1992,18(3): 25-35.
BAO Mingxin. Traditional motifs of chinese textiles and its influence on Japanese textile motifs [J]. Journal of China Textile University, 1992,18(3): 25-35.
[8]陈健. 论和服纹样的审美情趣[J]. 丝绸, 1998(2): 36-39.
CHEN Jian. On aesthetic appreciation of Kimono patterns [J]. Journal of Silk, 1998(2): 36-39.
[9]刘淑霞. 试析日本人的色彩观[J]. 北京社会科学, 2015(5): 11-16.
LIU Shuxia. An analysis of Japanese color sense [J]. Social Science s of Beijing, 2015(5): 11-16.
[10]辛维金, 吴铭. 日本传统染织纹样与其文化内涵[J]. 纺织科技进展. 2005(1): 30-32.
XIN Weijin, WU Ming. The Japanese traditional yarn-dyed pattern and its culture [J]. Progress in Textile Science & Technology, 2005(1): 30-32.
[11]徐金凤. 江户时代“粹”的审美意识形成的社会背景[J]. 日本问题研究, 2016,30(5): 32-40.

备注/Memo

备注/Memo:
基金项目:教育部人文社科基金项目(09YJA760013);江苏省2014年度普通高校研究生科研创新计划项目(KYZZ-0316);江苏高校优势学科建设工程资助项目(苏政办发〔2014〕37号)
收稿日期:2017-10-01
修回日期:2018-00-00
作者简介:罗怡然(1993—),女,硕士研究生,研究方向为服饰文化
通信作者:王宏付,教授,565445723@qq.com
更新日期/Last Update: 2018-05-11