|本期目录/Table of Contents|

[1]王忆雯,梁惠娥.民间眉勒造型与纹样艺术研究[J].丝绸,2018,55(11):111302.[doi:10.3969/j.issn.1001-7003.2018.11.014]
 WANG Yiwen,LIANG Huie.Folk Mele modeling and pattern art research[J].Journal of Silk,2018,55(11):111302.[doi:10.3969/j.issn.1001-7003.2018.11.014]
点击复制

民间眉勒造型与纹样艺术研究(PDF)
分享到:

《丝绸》[ISSN:1001-7003/CN:33-1122/TS]

卷:
55
期数:
2018年11期
页码:
111302
栏目:
历史与文化
出版日期:
2018-11-20

文章信息/Info

Title:
Folk Mele modeling and pattern art research
文章编号:
1001-7003(2018)11-0084-05
作者:
王忆雯梁惠娥
1.江南大学,江苏 无锡 214122;2.淮阴工学院,江苏 淮安 223001
Author(s):
WANG Yiwen LIANG Huie
 1. of Textile and Clothing, Jiangnan University, Wuxi, 214122China2. Huaiyin institute of technology design art college,, 223001China
关键词:
眉勒造型纹样艺术表征
Keywords:
Mele modelling pattern artistic representation. auspicious patterns
分类号:
TS 941
doi:
10.3969/j.issn.1001-7003.2018.11.014
文献标志码:
A
摘要:
在对江南大学民间服饰传习馆馆藏77条近代眉勒实物研究的基础上,结合文献资料,对眉勒的历史起源、造型特征、构图原理、纹样装饰及文化内涵进行探讨。民间眉勒最重要成就体现在造型和装饰上,以吉祥纹样为基本的造型元素,强调构图的视觉中心地位,着意于构图的布局与层次,讲究对称与比例,纹样质朴夸张,构图饱满,吉祥纹样的运用蕴含自然崇拜的智慧,集中体现了传统女性的群体创造智慧和女性个体才情及个人内心情感的需求表达。
Abstract:
77 Mele objects collected in the Folk Costumes Museum of Jiangnan University, the historical origin, modelling characteristics, composition principle, decorative pattern and cultural connotation of Mele were investigated by combining the literature. The most important achievement of folk Mele is reflected in the modeling and decoration. The auspicious patterns are used as basic modeling elements. Folk Mele emphasizes the visual center status of composition, layout and level in the composition, symmetry and proportion, simple and exaggerated patterns, and full composition. The use of auspicious patterns contains the wisdom of nature worship, and embodies the collective wisdom of traditional women, female individual talent and expression of personal feeling demand

参考文献/References:

[1]赫伯特·西蒙. 人工科学[M]. 武夷山译. 北京: 商务印书馆, 1987: 129.
SIMON H A .The science of artificial [M]. TranslatWU Yishan. Beijing: Commercial Press, 1987: 129.
[2]柳冠中. 设计文化论[M]. 哈尔滨: 黑龙江科学技术出版社, 1995: 68.
LIU Guanzhong. The design theory of culture [M]. Harbin: Heilongjiang Science and Technology Press, 1995: 68.
[3]常卓. 论中国传统民间服饰刺绣图案的意匠美[J]. 河南工程学院学报社会科学版2015(1): 86-88.
CHANG Zhuo. Design on the beauty of traditional folk embroidery pattern of Chinese [J]. Journal of Henan Institute of Engineering (Social Sciences Edition), 2015(1): 86-88.
[4]王忆雯. 古代造物思想下的荷包艺术[J]. 服装学报, 2017(6): 250-253.
WANG Yiwen, LIANG Hui’e The art of pouch in ancient creation thought [J]. Journal of Clothing, 2017(6): 250-253.
[5]爱伯哈德.中国文化语言词典[M]. 陈建宪译. 长沙: 湖南文艺出版社, 1990: 125.
EBERHARD W. Chinese dictionary of symbolic language [M]. Translated CHEN Jianxian. Changsha: Hunan Literture and Art Publishing House, 1990: 125.
[6]刘涛. 魔法中的无意识结构:国外人类学仅式与结构主义研究[J].青海民族研究,2014(2):46-50.
Liu Tao. Unconscious structure in Magic: Anthropological and structuralist studies abroad[J]. Nationalities Research in Qinghai, 2014(2):46-50.
[7]周汛, 高春明. 中国衣冠服饰大辞典[M]. 上海: 辞书出版社, 1996: 577.

备注/Memo

备注/Memo:
基金项目:中央高校基本科研业务费专项资金项目(JUSRP51735B);江苏省研究生科研计划(KYCX17_1447);)淮阴工学院人文社会科学研究项目(16HGS017)
收稿日期:2018-2-282018-09-25
作者简介:王忆雯(1978—),女,副教授,博士生汉族传统服饰文化
通信作者:梁惠娥,教授, lianghe@jiangnan.edu.cn
更新日期/Last Update: 2018-10-15