|本期目录/Table of Contents|

[1]丰蔚.材料语境下的珠绣装饰工艺探究[J].丝绸,2019,56(1):191203.
 FENG Wei.Bead embroidery context[J].Journal of Silk,2019,56(1):191203.
点击复制

材料语境下的珠绣装饰工艺探究(PDF)
分享到:

《丝绸》[ISSN:1001-7003/CN:33-1122/TS]

卷:
56
期数:
2019年1期
页码:
191203
栏目:
设计与产品
出版日期:
2019-01-20

文章信息/Info

Title:
Bead embroidery context
文章编号:
1001-7003(2018)00-0000-00
作者:
丰蔚
北京电子科技职业学院 艺术设计学院,北京 100176
Author(s):
FENG Wei
 School of Design, Beijing Vocational College of Electronic Science and Technology, Beijing 100176, China
关键词:
服装材料珠绣装饰元素服装设计 传统工艺
Keywords:
clothing materials bead embroidery decoration element fashion design traditional craft
分类号:
TS145.1
doi:
-
文献标志码:
-
摘要:
文通过传统珠绣与现代珠绣表现形式,总结归纳珠绣在视觉、触觉、听觉方面的独特性,指出其立体多维的空间形式是当代珠绣发展的重要趋向。并以案例分析解读的方式,从材料配伍、图纹造型及工艺方法三方面入手,重点论述基于技术进步及观念更新所产生的当代珠绣设计构成特征。从其背后的价值分析来看,当代珠绣市场应用越来越广泛,装饰形式变化多样。珠绣在与面料、服装之间的相互关系中发展演变,从侧面体现了工业技术与艺术的融合趋势,集中反映了当代文化交融并存的价值取向。
Abstract:
By comparing and analyzing manifestation pattern of traditional bead embroidery and modern embroidery, the article concludes the peculiarity of bead embroidery in visual, auditory, and tactile aspects, and points out the multi-dimensional space form is an important development trend of contemporary bead embroidery. The cases are given to explore design and composition features of contemporary bead embroidery based on technical progress and concept renewal from three aspects: material collocation, pattern design and technology. Seeing from value analysis, the application of modern bead embroidery market seems to be more and more extensive, and decoration forms vary. Bead embroidery develops in the mutual relation between the fabric and clothing, which reflects the trend of the integration between the industrial technology and the art, and also expresses value orientation of contemporary culture integration and coexistence.

参考文献/References:

[1]吴山. 中国历代服装染织刺绣辞典[M]. 南京: 江苏美术出版社, 2011: 434.
WU Shan. China lothing, Dyeing, Weaving, Embroidery Dictionary [M]. Nanjing: Jiangsu Fine Art Press, 2011: 434.
[2]程耀. 以物言情材料设计美之我见[J]. 美术观察, 2007(12): 114.
CHENG Yao. With things-y opinion on the beauty of material design [J]. Art Observation, 2007(12): 114.
[3]常沙娜. 中国织绣服饰全集2刺绣卷[M]. 天津: 天津人民美术出版社, 2004: 72-73.
CHANG Sha’na. China eave and Embroidery Works 2: Embroidery [M]. Tianjing: Tianjin People’s Fine Arts Press, 2004: 72-73.
[4]张红娟. 浅析珠绣的艺术魅力与传承创新[J]. 艺术工作, 2016(5): 88-89.
ZHANG Hongjuan. A brief analysis of the artistic charm and inheritance innovation of bead embroidery [J]. Art Work, 2016(5): 88-89.
[5]包铭新, 曹喆. 国外后现代服饰[M]. 南京: 江苏美术出版社, 2001: 95-100.
BAO Mingxin, C Zhe. Postmodernism Fashion Overseas [M]. Nanjing: Jiangsu Fine Art Press, 2001: 95-100
[6]王允丽, 房宏俊, 殷安妮, 等. 故宫藏“孔雀吉服袍”的制作工艺三维视频显微系统的应用[J]. 故宫博物院院刊, 2009(4): 149-154.
WANG Yunli, FANG Hongjun, YIN nni, et al. Arts and crafts used in the production of the ‘auspicious peacock robes’ in the palace museum: research using SEM technology[J]. Palace Museum Journal, 2009(4): 149-154.
[7]李向伟. 装饰艺术风格的共性与个性刍议[J]. 南京艺术学院学报, 2005(2): 57-60.
LI Xiangwei. On the commonness and personality of the decorative art style [J]. Journal of Nanjing Arts Institute (Fine Arts & Design), 2005(2): 57-60.
[8]杭间. 重返自由的“工艺美术”[J]. 装饰, 2014(5): 20-21.
HANG Jian. Arts and crafts returning to its freedom [J]., 2014(5): 20-21.
[9]李振宇. 当代艺术消费的知识认同[J]. 南京艺术学院学报, 2016(5): 30-33.

备注/Memo

备注/Memo:
基金项目:北京市教育委员会社科计划一般项目(SM201910858002);北京电子科技职业学院校级重点课题项目(YZR2016012)
收稿日期:2018-03-15
修回日期:2018-00-00
作者简介:丰蔚(1974—),女,教授,服装艺术设计
更新日期/Last Update: 2018-12-06